For the Sonorous
Dirty, Dusty Beans
You scraped the beans off the floor
and said, “Don’t be so clumsy.”
Because our fridge was empty,
our EBT card was empty,
our stomachs were empty.
“We can’t afford to
feed the roaches.”
So I ate that spoonful
of dirty dusty beans.
Then I headed to St. James
for a sack of cans:
canned herring,
canned liver,
canned beets,
canned bread,
canned okra—
all foods designed for the poor.
But I didn’t head straight home.
I headed to the club
and signed up
for an audition.
“Do you need a resume?”
I asked.
The manager laughed,
Flashing her gold teeth.
“What? You got a PhD?”
“Actually, I do.”
She froze.
“This pays more
than adjuncting,” I said.
She nodded.
“As long as you can dance.”
I can dance as long
as it means no more
dirty, dusty beans.
“Yeah, I can dance.”
And I flexed my calves.
A Recipe for Speculators
1. Buy a house
in a neighborhood with no trees
or streetlamps
or hope
or prosperity
because the city has forgotten
its people
and their dreams
at least these people
at least these dreams
2. Renovate the house
beyond recognition
remove all of its character
for a uniform catalog look
that could pass for anywhere
3. Flip the house
by luring yuppies
to a branded “new frontier”
because they want to be pioneers
4. Repeat
until your city could be any city
in America
Bushwick
Gentrification is not a glamorous word
but it’s what happened
or did you think this all came
guilt-free?
This kitchen did not have
a granite island before.
The coffee shop on
the corner is new.
The skinny jean boutique
came with them—
them being me.
I am a gentrifier
and I carry that guilt
in my bones,
but I will not move.
My college degree
means I’m educated,
not rich.
I never asked to be a pioneer.
I would never call myself a pioneer.
I am not here to uproot the delis
or the churches
or the liquor stores.
Stay planted on this earth
where you belong.
Give me empty warehouses,
give me abandoned storefronts,
but I am not here
to invade the spaces
neighborhood mainstays
and ancestors inhabit.
Join me, neighbors, in watching
the sunset melt into row houses.
I know you saw the red sun here first,
but can we face the sky together?
Christine Stoddard is a Salvadoran-Scottish-American writer and artist who lives in Brooklyn. In addition to being the founding editor of Quail Bell Magazine, she is the author of Hispanic & Latino Heritage in Virginia (The History Press), Ova (Dancing Girl Press, 2017), and two miniature books from the Poems-For-All series. Her work has appeared in anthologies by Candlewick Press, Civil Coping Mechanisms, ELJ Publications, and other publishers.